when no means no
boundary free
why we worry all the time and how to cope
THE VINTAGE MAN
The
Difference
Between a good artist
And a great one
Is:
The novice
Will often lay down his tool
Or brush
Then pick up an invisible club
On the mind’s table
And helplessly smash the easels and
Jade
Whereas the vintage man
No longer hurts himself or anyone
And keeps on
Sculpting
Light
-Hafez
PORTOBELLO DUSK
I don’t mention how the evening empties the streets
to a hush, or how the warmth of your body calls mine
closer on the bench, in the manicured public gardens
where fountains launch arcs from stone fish. I don’t pause
to revere swallows or phone-lines slicing curves against
pink clouds, or linger by the small Italian restaurant
with its candles collared in wax, or wear the dress
that cinches me to hourglass. I’ll leave the red lipstick
in the drawer: it swells everything to full volume. I beat
loudly enough as it is, friend, though I pretend to forget,
like a creature born wild and brought to cage or glass.
We knew lushness here once, evenings swept clear
like countertops lovers rut on, all other plans clattering
to the floor. Now we walk past the bar that emptied
around us, the wall that left itself in the back of my coat,
but I don’t need to point out the stops. You know them,
your face in profile all night, as if blinkered from the look
in my eyes you remember being unable to refuse,
especially not with benches and pink skies and cool
empty streets, and the melody of that old love playing
its faint music around us, inviting us to retrace its steps.
-Jasmine Cooray